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“Xavier de Maistre is a virtuoso of the highest order, profoundly musical and capable of realising a remarkable range of nuance.”
Gramophone
Xavier de Maistre is one of today’s leading harpists and a profoundly creative musician. As a fierce champion of his instrument, he has broadened the harp repertoire, commissioning new work from composers. He also creates transcriptions of important instrumental repertoire.
Xavier starts his 2024/25 season as an artist-in-residence of Sinfonieorchester Basel, by opening their season under Ivor Bolton and performing multiple concerts throughout the whole season. Other season’s highlights include performances with Seattle Symphony Orchestra…
“Xavier de Maistre is a virtuoso of the highest order, profoundly musical and capable of realising a remarkable range of nuance.”
Gramophone
Xavier de Maistre is one of today’s leading harpists and a profoundly creative musician. As a fierce champion of his instrument, he has broadened the harp repertoire, commissioning new work from composers. He also creates transcriptions of important instrumental repertoire.
Xavier starts his 2024/25 season as an artist-in-residence of Sinfonieorchester Basel, by opening their season under Ivor Bolton and performing multiple concerts throughout the whole season. Other season’s highlights include performances with Seattle Symphony Orchestra conducted by Tan Dun, Orchestre Philharmonique de Monte-Carlo and Nathalie Stutzmann, Korean National Symphony with David Reiland, and China National Symphony Orchestra. His Serenata Latina duo with Rolando Villazón leads him to major venues and festivals including Tonhalle Düsseldorf, Die Glocke in Bremen, Heidelberger Frühling, Teatro Cultura Artistica in Sao Paulo and Shanghai Grand Theatre, and his highly creative solo recital programme to prestigious series of Stanford Live in the USA and Meisterkonzert of Zentrum Paul Klee in Switzerland.
He is regularly invited by first-class orchestras across the globe: Chicago, Montréal, City of Birmingham, Swedish and Finnish Radio Symphony Orchestras; Los Angeles, London, St Petersburg, Oslo and China Philharmonic Orchestras; Orchestre de Paris, Tonhalle-Orchester Zürich, Mozarteum Orchester Salzburg, Orquestra Sinfônica do Estado de São Paulo; working with conductors including Sir André Previn, Sir Simon Rattle, Riccardo Muti, Daniele Gatti, Philippe Jordan, Bertrand de Billy, Andrés Orozco-Estrada, Daniel Harding, Susanna Mälkki and Mirga Gražinytė-Tyla.
As a recital soloist, he has been a guest at many top festivals, including Rheingau, Salzburger Festspiele, Wiener Festwochen, Verbier, Budapest Spring, Würzburg Mozartfest and Mostly Mozart in New York. He is passionate about chamber music and regularly puts together original recital projects, including numerous collaborations with highly versatile artists like tenor Rolando Villazón, flamenco and castanet legend Lucero Tena, Diana Damrau, Arabella Steinbacher, Daniel Müller-Schott, Baiba Skride, Antoine Tamestit, Mojca Erdmann or Magali Mosnier.
Xavier has been an exclusive Sony Music artist since 2008, when he recorded his first album, Nuit d’Etoiles, dedicated to Debussy. Further releases include Hommage à Haydn (2009), Aranjuez (2010), Notte Veneziana (2012), Moldau (2015), and La Harpe Reine (2016) with Les Arts Florissants and William Christie. His album Christmas Harp (October 2021) features paraphrases and fantasies of famous Christmas carols. He recorded a highly-acclaimed Serenata Latina album with Rolando Villazón (Deutsche Grammophon) in 2020. In autumn 2022, his latest CD dedicated to Russian music was released, featuring Reinhold Glière's famous harp concerto and Alexander Mosolov's forgotten concerto, accompanied by WDR Sinfonieorchester Köln under the baton of Nathalie Stutzmann.
Born in Toulon, Xavier studied the harp with Vassilia Briano at his local conservatoire, before perfecting his technique with Catherine Michel and Jacqueline Borot in Paris. He also studied in Sciences-Po Paris and then at the London School of Economics. In 1998 he was awarded First Prize (and two interpretation prizes) at the prestigious USA International Harp Competition (Bloomington) and became the first French musician to be admitted at the Wiener Philharmoniker that same year.
He has taught at Musikhochschule in Hamburg since 2001.
He plays on a Lyon & Healy instrument.
De Maistre is a kind of Hamelin of the harp: the agility, the ease with which the most astonishing technical challenges are surmounted, the conversational phrasing and evenness of rapid passagework instantly amaze. But it is also his depth of tone and variety of colour that beguile.
Concerto Repertoire (Selection) | |
Alwyn | „Lyra Angelica“ – Concerto for Harp and String Orchestra |
Boieldieu | Concerto for Harp and Orchestra, op. 82 |
Debussy | "Deux Danses" for Harp und String Orchestra |
Dohnányi | Concertino for Harp und Chamber Orchestra, op. 45 |
Eötvös | Harp-Concerto (23/24 Premiere) |
Farkas | Concertino for Harp and Orchestra |
Ginastera | Concerto for Harp and Orchestra, op.25 |
Glière | Concerto for Harp and Orchestra, op. 74 |
Händel | Concerto for Harp (Organ) and Orchestra Bb major op. 4/6 HWV 294 |
Haydn | Concerto for Harp and Orchestra after a Concerto for Cembalo/Piano and Orchestra D major Hob. XVIII:11 |
Concerto for Harp and Orchestra after a Concerto for Cembalo/Klavier and Orchestra G major Hob. XVIII:4 | |
Mozart | Concerto for Flute, Harp and Orchestra C major KV 299 (297c) |
Concerto for Harp and Orchestra after the Piano Concerto Eb major KV 449 | |
Piano Concerto Nr. 19 F major, KV 459 | |
Piano Concerto C major | |
Marcello | Concerto in d minor for Harp and Strings |
Montsalvatge | Concert capriccio for Harp and Orchestra |
Mosolov | Reconstructed Harp Concerto |
Parish-Alvars | Concerto for Harp and Orchestra, op. 98 |
Concertino for Harp and Orchestra, op. 34 | |
Penderecki | Concerto for Harp and Orchestra |
Pierné | Concert piece for Harp and Orchestra, op. 39 |
Previn | Concerto for Harp and Orchestra (only in connection with another harp concert) |
Rautavaara | Concerto for Harp and Orchestra |
Reinecke | Concerto for Harp and Orchestra, op. 182 |
Renié | Concerto for Harp and Orchestra |
Rodrigo | Concierto Serenata for Harp and Orchestra |
Concierto de Aranjuez (Harp version by Composer) | |
Saariaho | Harp Concerto "Trans" |
Saint-Saëns | Morceau de Concert for Harp and Orchestra, op. 154 |
Vivaldi | Concerto for Harp, Strings and B.c. in G major op. 3 Nr. 3 RV 310 (Arr. Stefan Klieme) |
Concerto for Harp (Lute), 2 Violins and B.c. in D major RV 93 (Arr. Stefan Klieme) | |
Concerto for Harp, Strings and B.c. f minor ''The Winter'' RV 297 op. 8/4 (Arr. Stefan Klieme) | |
Concerto for Harp, Strings and B.c. in D major op. 3 Nr. 9 RV 230 | |
Concerto for Harp, Strings and B.c. in G major op. 7 Nr. 2 RV 299 | |
Williams | Suite from the soundtrack of ''E.T.'' |
Concerto for Harp and Orchestra ''On Willows and Birches'' | |
Recital Programme (Selection) | |
Solo | |
Francisque | Pavane et Bransles (arr. Marcel Grandjany) –from “Le Trésor d'Orphée” |
Dussek | Sonata, op.35 No.3 |
Lecuon | Malagena -La Comparsa -Glissando mazurka |
Fauré | Impromptu, op.86 |
-- | |
Britten | Suite for harp, Op. 83 |
Debussy | Clair de Lune from Suite Bergamasque |
Renie | Legende, D'après des elfes de Leconte de Lisle |
With actor Martina Gedeck-“Night, Dreams, Fantasy...” | |
Else Lasker-Schüler | Wilde Winde |
Debussy | Arabesque No.1 |
Edgar Allen Poe | le Cœur révélateur |
Renié | Ballade Fantastique sur le cœur révélateur |
Else Lasker-Schüler | Ich schlummerte an einem Zauberbrunnen |
Leconte de Lisle | Les Elfes |
Renié | Légende sur les Elfes de Leconte de Lisle |
Oscar Wilde | la Rose et le Rossignol |
Liszt | le Rossignol |
Else Lasker-Schüler | Abendzeit |
Tarrega | Recuerdos de la Alhambra |
Joseph von Eichendorff | Mondnacht |
Debussy | Clair de Lune |
Flamenco Recital with Lucero Tena | |
Recital with Rolando Villazón |